Sean Somal A2 Media Studies
Thursday, 17 March 2011
Final Products: Music Video
Above is my final, finished music video for the song I Don't Want To Fall In Love by She Wants Revenge
Monday, 21 February 2011
Final Products: Magazine Advertisement
Above is my final, finished Magazine Advertisement in promotion of my Digipak. I decided to keep parity between the digipak and the advertisement by using the same image, effects and text. The content of the text is typical of those that would be seen in professional magazine advertisements of the same kind, featuring information about the band/ artist, album title and release dates, tour dates and fan pages. I feel that the way I have included the digipak cover in the advertisement is a fairly original and fresh approach that pushes the conventions of currently existing advertisements, as the digipak cover does not defer the viewers attention from the image too much due to the fact that the cover has actually become a part of the overall image.
Final Products: Digipak
Above is my final, finished product for my Digipak. I decided to use mostly red and black with bits of white for my colour scheme, as I felt that red symbolised the overall feeling I wanted my digipak and video to have, with its connotations of love, lust, passion, energy and danger.
I am pleased with the outcome as I feel that, whilst the images are of what would seem to be a typical couple, the choices I have made whilst editing manage to create a sinister and more foreboding air to this, and I feel that this also ties in with the title of the product. Whilst the editing techniques used are fairly simplistic, I feel that this works perfectly in that the product does not feel overdone, and thus comes across as very professional. I feel that the product has a great amount of parity in itself, between each panel and also with the video and magazine advertisement I have created. The front and back panels of the digipak feature scan lines, so that when the product is closed they will flow together, with the inside cover panel being in a red tone without the scan lines, so that it flows with the rest of the inside panels.
Sunday, 20 February 2011
Evaluation Question 4
How did you use media technologies in the construction and research, planning and evaluation?
Saturday, 19 February 2011
Evaluation Question 3
What have you learned from your audience feeback?
Click the image below or here for a larger view
Click the image below or here for a larger view
Here is a short interview I also requested from peers, discussing their views on different points in my video.
Friday, 18 February 2011
Thursday, 17 February 2011
Evaluation Question 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Click the image below for a larger view
Screenshot 1: The beginning of my video shows the title slide, which has the potential and intention of initially gaining the viewers attention and focus. The image used is fairly simple, of the female lead in my video, where she features an almost mixed expression on her face. The creation of this enigma at the beginning of the video is a very popular convention in real music videos, as it interests the audience and keeps them watching. The fact that I have included the title details is also fairly conventional of older music videos, however this is not as often seen in music videos as of late.
Screenshot 2: This image shows the cross faded 'montage' of the male part getting ready, this is commonly used in many music videos, due to the power it has to convey a prolonged amount of time in a matter of seconds, which is crucial due to the short length of music videos and songs. The lighting is fairly dark and the sinister and dangerous vibe that I hoped to create in my video comes across well through yet another enigma in the male character.
Screenshot 3: The party scene in my video follows the form of a lot of current music videos, especially in the pop and dance genre, in which a party is filmed or documented with the main characters sticking out or featured more at points, to create a sense of liveliness. I do however feel that the fact that I have used this convention in an alternative rock/ post punk revival music video is fairly unconventional.
Screenshot 4: The use of close ups is very common in any music video, and I have exercised this convention throughout the video by including a fair few of them, often acting as different perspectives or views on a certain event. This sequence in particular shows a varied amount of different shots and angles that have been used to break up the journey that is being portrayed.
Screenshot 5: The conventions of the rule of thirds in this frame are being used as they are in popular music videos as this is a popular directors rule when filming anything. The use of sexual connotations and imagery also mirrors conventions used in professional music videos, as this is a popular theme in all genre's of music video.
Screenshot 6: The use of a performer is extremely popular in music videos, with almost all professional music videos containing this element, the fact that I decided to use a singular performer and cut out half of the face to provide a more sinister look pushes the boundaries of this convention however, due to the fact that the performer is usually seen in full and in motion, whereas my performer is not. I also believe that this pushes the boundaries of rock/ punk videos also due to the fact that often in music videos belonging to this genre, an entire band would be seen and not just one single performer.
Screenshot 7: I used sexual connotations to mirror the heavy use of this element in the industry and in professional music videos again, with an intimate scene being portrayed, however added a more haunting element, not seen as often in music videos by having the male performer stare in direct mode of address to the camera. The overlayed tint of red in this shot also gives off connotations of love, lust, danger, and energy, similar to other music videos where colour is often used to portray emotion or symbolism.
Screenshot 8: The extreme close up of the phone is sticking to conventions of pop/ rap and dance music videos more than rock and punk music videos, due to the fact that the storylines in these kinds of music videos often feature the use of conversation through the phone and by texting. The fact that I have used this in a rock/ punk music video however, as well as the use of a storyline without a heavy performance is unconventional and pushes the boundaries of the genre once more. I also used the phone as a tool to symbolise and sum up the fact that the male was leaving the female in the video, which is atypical to other music videos that use this convention due to the fact that the phone is often used as a 'hook up' tool.
Screenshot 9: This medium close up of the male character in my video is a convention often used in many genre's of music videos, including rock videos, as it gives the viewer 'one last look' and triggers an image that sticks in the head of the audience. I feel that the use of the dark, shady image is also fairly conventional of rock music videos, especially ones that try to create a darker tone like I did.
Overall I believe I used a fair mix of conventional and unconventional aspects in my music video, and mainly put this down to the fact that if they are conventional they have likely been successful due to the high use of these frames.
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